Anime World Order Show # 256 – Otakon 2026 Report

No review this time around, since Gerald and Clarissa went to Otakon 2026 and have got a con report to detail what happened! For even more, check out the AWOmake podcast available to our Patreon backers where HIS STORY CONTINUES as we detail what happened to Gerald right before and right after the con!

Back at it again at the Walter E. Washington Convention Center
Not a Death Stranding cosplay but a mobile cosplay photography lighting rig
Only one of these ribbons Gerald received is a lie, but we all know which one isn’t.
Bars and restaurants, take note: goofy Photoshops beat AI generated crap every time.
The Mecha Kaikan room. We didn’t actually build anything ourselves, but presumably one could check out and return building materials?
They weren’t called “Jumbo” Machinders for nothin’!
Go ahead and destroy the financial district, Japanese model train set Godzilla. Make the people happy.
Carl Horn’s Dark Horse Comics panels are always educational.
The impromptu Valko shrine that was set up
Mike Toole at the Discotek panel showing off his custom-made Mike Toole shirt.
The numbers don’t lie.
Before cons were able to requisition enough space to give Magic players a dedicated room, this was once a burnable offense.
Kazuma Kiryu has never killed anybody, but I could believe this guy might have. For some, the action is the juice.
No need for crying. Let out your feelings, wide through the space where time just endlessly spins…
Sailing a different sea of the stars, in search of someday getting a Region A Blu-Ray set
Probably the best costume of the weekend, made solely for the AnimEigo panel
The numbers REALLY don’t lie. Anime may be making more money than ever, but almost none of that money goes to the people making it or the people actually doing the work of releasing it over here!

 

Anime World Order Show # 252 – Your Choice is Between a Full Color Palette Or Emily Blunt’s Biceps

In this episode, Gerald has this terrible feeling of…of déjà vu. Nevertheless, we’re getting this episode out just on the edge of tomorrow. Fitting, since we’re in a live, die, repeat sort of cycle this time around, as Gerald reviews the feature film anime adaptation of All You Need Is Kill, which is not quite the same as the original light novel, manga adaptation of same, or the Hollywood live-action film.

Hear me out. Each version has their own highly commendable merits, okay?

Introduction (0:00 – 58:03)
We somehow got emailed about potentially being a consultant by an alleged Japanese company that perhaps didn’t grasp that Anime World Order is not, in fact, a licensor or publisher of anime or manga in the US, but after the answers Daryl gave them to the sample questions provided, it’s not a surprise they never did set up that Zoom meeting.

We’ve debuted the first episode of AWOmake, a bonus podcast for our Patreon subscribers at the $5 and $10 tiers (and soon, the $3 tier when we add it, which will be once Patreon moves us off of per-creation billing and we have to begin the process of sunsetting the $1 tier). The plan for that is to be an irregularly produced freebie bonus where we talk about non-anime/manga topics. For episode 1 Gerald has thoughts on The Super Mario Galaxy Movie, and we all weigh in on our feelings regarding the Fallout series of videogames. If you need to hear more of Daryl, The Greatest Movie EVER! Podcast celebrates its 20th anniversary, and he was on to discuss Robocop and remember that time when Robocop shot that dude in the dick.

There’s an upcoming short film called Found in Translation that’s going to be all about the VHS “fansub” operation Arctic Animation. We were too slow in getting this out in time before their crowdfund campaign ended, but fortunately they met their goal successfully. We relay some of our own experiences and memories of Arctic Animation as well as their enduring legacy on subtitling efforts both fan and official which endure to this day, since one way or another, they are undeniably of historical significance.

What had better NOT become historically significant is the latest attempt to force a speculator-driven market upon Japanese comics and animation through blatant falsehoods and deception, as was recently previously successfully carried out upon the retro videogaming and Pokémon trading card hobbies by the exact same perpetrators. We have nothing but scorn for this, but this time the perpetrators are two of the most popular influencers in the world staging a disagreement in order to drum up interest for yet another worked contest. They’re correctly banking on the fact that anime and manga fans by and large aren’t paying attention to the fact that they both literally just collaborated on a storyline that culminated in a match at Wrestlemania that aired on ESPN. This is their next one. Any so-called news media which fails to point out the obvious grifting here–as they already have failed to do for the same grift done for retro videogames and trading cards–is in active dereliction of their duty.

Under no circumstances must this cancer spread. Yeah, the reason “only 1 higher graded” is because only one other person has been that stupid. Also, unlike trading cards there is no agreed-upon quality grading standard; it’s whatever the grading company–the only true guaranteed profiteer–decides.

Finally, we go over some initial early impressions of the current anime season, which as of the time we recorded this was only just beginning and so there remain several noteworthy titles that we just hadn’t quite gotten around to watching. This culminates in yet another airing of grievances, this time with regards to a collected group of terminally online hyper-puritans we refer to as “antis.” Perhaps you’ve encountered them at some point.

Review: All You Need Is Kill (58:03 – 1:49:26)
Gerald reviews this recently-released theatrical film from Studio 4°C, which is a rare instance of a 3DCG animated film that he is NOT thoroughly repulsed by! It’s an adaptation of the 2004 light novel by the same name, which was previously also adapted quite faithfully into a really great manga. But much like the Tom Cruise/Emily Blunt movie [Live Die Repeat] Edge of Tomorrow, the story here isn’t quite the same as the book/manga. Clocking in at around 80 minutes of story time compared to the 105 minutes of the Hollywood film or the 230 pages of the light novel/17 chapters of the manga, this is a much more streamlined take on the concept, but it also features a visual aesthetic that is extremely different from all of the other versions made to date. The film is currently only legally available to watch as a VOD on Amazon Prime, but since GKIDS handled the theatrical release a Shout! Factory home video will be coming out later this year at some point. You can preorder it here, bearing in mind the current release date is a placeholder value.

Live. Die. Repeat.
And repeat. The film’s character designs are not really conventional for anime, but then neither is most of what Studio 4°C does.
Three GPUs, Keiji? You doing sudoku for fake Internet Monopoly money? You generating AI slop? No wonder the aliens kill all humans on sight.
Speaking of the aliens, they’re pretty cool looking. Every adaptation’s design is quite distinct from one another’s.
A portent of the future? Maybe Daryl ought to get a diagnostic ultrasound…