Anime World Order Show # 255 – I Still Have Eleven Childhood Friends Left That Need to Be Killed

For this episode, Daryl looks back to his teenage days and endeavors to make No-Brand Heroes of you all as he reviews the 1991 OAV anime adaptation of Here Is Greenwood alongside its original 1986 shojo manga.

Introduction (0:00 – 1:02:10)
We kind of mixed in the AWOmake with the actual episode here, since until about 36:40 we sound off on Sony’s decision to abandon physical media support for their future game consoles and software releases, which has a not-entirely indirect impact on the anime side of things as well once taken in conjunction with the Crunchyroll Store’s new restriction to only sell to those with Mega Fan or Ultimate Fan level subscriptions while also putting the rest of their physical media on final clearance. Eventually, we get to talking about what we’re watching in the current anime season, which has several incredible offerings. And if you haven’t already done so, please fill out the survey for the upcoming documentary Icons of Anime: The Western Awakening as there are only a few days remaining to do so!

Review: Here is Greenwood (1:02:10 – 2:13:03)
Here is Greenwood was one of the early VHS fansub favorites among American anime fans of the 1990s. This may seem odd considering how back then, a majority of anime fans were college guys and Greenwood is a shojo series set in an all-boys’ private school, but back then anime was hard enough to come by that fans would watch whatever they could get. Plus, despite being shojo, back in the 1980s and 1990s that term wasn’t synonymous with “romance” the way it seemingly is these days.

The Software Sculptors VHS box for the first of three volumes of Here is Greenwood. Note the “Not Mainstream” logo in the corner to warn away potentially disgruntled customers looking for blood and violent sex.
Shun Kisaragi is Greenwood’s most iconic character despite being perfectly normal and having a perfectly normal family.
Anime back then was not afraid to just use regular brand names in open defiance of copyright, but sometimes it was funnier to change them.
It’s not dwelled upon but it’s always fun to see what details the animators put into vehicles, A/V equipment, and what games/movies are on the shelves.
And of course, motorcycles.
Just bros being dudes, man.
Just dudes being bros, man.

 

Anime World Order Show # 236 – It’s Shark Time, Baby

The initial version of the file that was uploaded was in stereo rather than mono, meaning different people spoke on different channels. That has now been fixed. Delete the old file and redownload if you encounter this issue.

Although we’re posting this on Halloween, there’s not much especially spooky about this episode since after having seen Uzumaki, Daryl has instead elected to review the theatrical film adaptation of Look Back by Tatsuki Fujimoto. Be forewarned that we do spoil it all in the event you didn’t already read or watch it first.

Introduction (0:00 – 54:24)
We were fortunate that the two recent hurricanes did not do significant damage to where any of us were, but it was lucky breaks on both occasions. We go over what we’re watching in the current anime season, and Daryl finally receives his Macross Plus Blu-Ray set. Not mentioned in the recording is the fact that due to inadequate packaging during transportation–this despite shipping from the old Right Stuf warehouse, which has clearly been mandated some changes to their procedures and policies by the new Sony ownership–a corner of his Blu-Ray set box was slightly crushed despite no damage to the exterior packaging box; an extremely common thing which Crunchyroll Store’s service reps say they can do absolutely nothing to remedy. This is not even close to the worst news coming out about Crunchyroll as we touch upon the then-breaking David Wald situation and contrast that with some recent financial publication coverage of Crunchyroll strategically rolled out to coincide with the broadcast start of the new Dragon Ball Daima series. Toho’s acquisition of GKIDS has us wondering if a similar fate will befall them, for the number of independent anime publishers in the US is basically down to about two or three guys at this point. Oh yeah, and we also talk about the anime adaptation of Uzumaki, which was originally going to be the subject of this episode until well, we saw the rest of it. Not stated in this recording: we’re 99.5% sure that the infamous quality drop coincides with the concurrent-with-production merger of Warner Brothers and Discovery to form WBD and the appointment of then-new CEO David Zaslav. We’re placing our chips on the roulette wheel as far as that, since it’d also neatly explain why Jason DeMarco couldn’t name names when talking about who was responsible (before locking/disabling his social media accounts).

Review: Look Back (54:24 – 1:47:03)
Originally released in US theaters in a very limited engagement, 2024’s Look Back vastly exceeded expectations and got additional showtimes, which on a per capita basis is better than the singing clown movie everybody who saw it hated. Adapted from a one-shot released in 2021 by Chainsaw Man creator Tatsuki Fujimoto, this film by Kiyotaka Oshiyama (whom we’d previously talked about in our review of Flip Flappers) is absolutely worth seeing by everyone. It’ll stream on Prime Video starting November 7, 2024. You can also read the original manga courtesy of Viz, who have released it both in print as well as digitally. If you pay the $3 a month for Shonen Jump, it is available to read as part of that. Daryl recommends you either watch the film or read the manga before listening to this, since we basically summarize what happens scene by scene from start to finish in order to give our thoughts on it.