Anime World Order Show # 202 – I’m Sorry, But I’m a Male Chauvinist

In this episode, Daryl reviews one of his favorite titles from the 2010s which is finally readily available for viewing in English: the two-part theatrical film adaptation of the formative shojo classic Haikara-san: Here Comes Miss Modern! (Spoilers: Gerald thought it absolutely sucked and is of appeal to nobody who is watching anime in the 21st century.)

Introduction (0:00 – 57:40)
Despite repeatedly missing months this year, our number of Patreon supporters is steadily approaching the 200 mark. Remember: at 250 total patrons we will be reviewing Hand Shakers, which Gerald purchased on Blu-Ray (because obviously one buys what one cherishes most). We also haven’t read emails in a while, so this time around we’ll read two! With the new Harmony Gold arrangement in place regarding the international rights to Macross and Robotech being distinct entities, is a US release of Macross 7 on the foreseeable horizon? Why is Eternal Wind so memorable when most of Gundam FORMULA NINETY WAN is so not? Who is more petty, Yoshiyuki Tomino for not letting us Americans see the infamous Cucuruz Doan’s Island episode of the original Mobile Suit Gundam television series, or Yoshikazu Yasuhiko for directing a theatrical-length film adaptation of it due for release next year? And why does the AWO continue to LIE AND EXPOSE THEIR SHALLOW IGNORANCE~! regarding the “death” of 2D animation? None of these questions and more will be adequately answered in this approximate hour of chatterbox noise.

Promo: Right Stuf Anime (57:40 – 1:03:27)
In the time between us recording the promo and getting around to posting this writeup, the Dub Dirty Pair TV Into English and Release It On Blu-Ray Kickstarter has been 100% funded. But the campaign lasts until the end of October, and it is the beginning of October, so YOU KNOW WHAT THAT MEANS: stretch goals! Much like what was basically done with the Irresponsible Captain Tylor Blu-Ray set as well as the various Animeigo Kickstarter projects (Otaku no Video, Riding Bean, Gunsmith Cats, Megazone 23), the stretch goals will determine not only how nice the physical extras are for the fancy Collector’s Editions that are exclusive to the Kickstarter, but also the general release! For now, aside from a new interview with Haruka Takachiho, what the stretch goals will be are shrouded in mystery. More will be revealed…within the next 24 hours! Be sure to keep tabs on for details, but given how these things have turned out in the past, we’re pretty certain that you’ll want to back this project. All of us did, anyway.

Review: Haikara-san: Here Comes Miss Modern Parts 1 & 2 (1:03:27 – 2:20:04)
Daryl reviews this 2017-2018 theatrical film adaptation of one of the formative 1970s shojo manga classics that he didn’t even know existed until after having seen these movies. This period comedy/melodrama/romance/liquor adventure from Waki Yamato is one of the most beloved and fondly remembered shojo titles the world over–the non-English speaking world over, anyway–having remained in print and adapted into multiple other media including live-action and Takarazuka plays right up until the COVID-19 pandemic shut everything down. Set in the socially turbulent Taisho era of Japanese history, it’s a tale of modern Western ideals clashing with conservative Japanese traditions wrapped around a Days of Our Lives-caliber soap opera romance.


Opinions are, as they always seem to be for literally everything Daryl recommends, sharply divided as to the qualities of this cartoon. For now, you can watch both parts streaming free of charge via the oft-forgotten streaming platform Tubi: here’s Part 1 and here’s Part 2. You can buy the Blu-Ray of Part 1 from the film’s distributor, which is–oh, right–our sponsor Right Stuf. But part 2 to date has never been released on physical media in the US, presumably because so much money was lost on dubbing the first part into English and releasing it into theaters that (as far as we can tell/recall) no English dub was produced for the second part.
Maybe the only contemporary interest in classic shojo is when there’s LGBT+ themes. Unfortunately for Haikara-san, it’s not that kind of story.

List of Titles Shown at Otakon 2021

It’s not a new episode, and we did miss posting one for July, but for those of you who attended Otakon 2021, here’s a list of the titles shown during our panels. We did say we’d put this up so you wouldn’t have to write everything down, didn’t we? If you liked what you heard, we’ve done plenty of anime reviews over the past sixteen years so take a look at our Review Index. The Otakon staff look at their message board to help determine who to bring back next year, so if you liked what you saw, please let them know here!

Thirty Years Ago: Anime in 1991
Otaku no Video
Here is Greenwood
Brave of the Sun Fighbird
Dear Brother
Detonator Orgun
Silent Mobius: The Motion Picture
Mobile Suit Gundam: F91 (you can listen to Eternal Wind here)
The Heroic Legend of Arslan
Blazing Transfer Student
Mermaid’s Forest (you can listen to Born to Love You here, which I didn’t play during the panel but you should do it anyway)
3×3 Eyes
Only Yesterday
Roujin Z
Rg Veda
Reporter Blues

The Best Openings for Shows You (Probably) Didn’t See (list mostly in order now! Maybe we didn’t actually run Hitoribocchi)
Dear Brother
Girls Last Tour
Samurai Flamenco
Metal Fighter Miku
Getter Robo Arc
Hakumei and Mikochi
Flip Flappers
Maico 2010
Rainbow – Nisha Rokubou no Shichinin (“The Seven from Compound Two, Cell Six”)
Stage! Dream Days
Aim for the Ace
Reporter Blues
Kaiketsu Zorro
Double Decker! Doug and Kirill
Prefectural Earth Defense Force
Sleepy Princess in the Demon Castle
Galactic Patrol Lensman
Kamikaze Kaitou Jeanne
Future Police Urashiman
Idol Project
Towards the Terra
Armor Hunter Mellowlink
Blue Reflection Ray
Nobody’s Boy Remi
Sunday Without God

We also did History of Hentai in English, though we’re not so sure if we should post that list or not. It’s risky to attempt to do Twitch versions of our panels, though it appears that Otakon did stream panels that were held in Panel Room 1 without major incident. Then again, we’re primarily playing videos of stuff we don’t own and talking over them. Perhaps we’d just get no VOD replay? With our luck it’d be a copyright strike…